Glenn Gould in Re-performance®
Bach’s
Goldberg Variations
Glenn Gould’s debut album of Bach’s
Goldberg Variations
was recorded in June 1955. It is one of the best known classical piano recordings
ever, and it has been in continuous print for fifty years.
But, it was locked forever in monaural sound.
Until now.
Zenph Studios recorded its debut
re-performance
to standing ovations in the CBC’s famed
Glenn Gould Studio
in Toronto on September 25, 2006, which would have been Glenn Gould’s 74th birthday.
Two things happened that day:
1) we taped a radio program for the Canadian Broadcasting Corp. (CBC) before a live audience, and
2) we recorded our history-making new album with
Sony BMG Masterworks.
The producer of the CBC radio documentary was
Eitan
Cornfield, respected for his high-quality radio
documentaries. We were introduced to Eitan by Lorne Tulk, Gould’s
longtime friend and producer. The concert was broadcast throughout Canada by
CBC Radio Two that evening.
It was also streamed on the Internet.
Andrew Craig,
the CBC Radio Two host, helped the audience to fully imagine the
unimaginable: Glenn Gould, alive and performing as he did in 1955
at the recording studio.
The effect on the live studio audience,
a critical group that included Gould’s past producer,
his piano tuners, and the executives of the Glenn Gould Foundation, was visceral.
At the close of the Goldberg Variations,
there was a brief moment of silence, followed by resounding applause.
A distinguished team went on to create new audio master recordings
of the Goldberg Variations in Glenn Gould Studio:
- Steve
Epstein: producer for Sony BMG,
has 11 Grammy awards and 27 Grammy nominations for his classical and jazz recordings.
These include five Classical Producer of the Year Grammy awards.
- Richard King:
recording engineer and founder of RK Recording.
He has long been associated with Sony Music Studios in New York.
King has been the engineer with Yo-Yo Ma, the Los Angeles Philharmonic,
the Philadelphia Orchestra and many revered classical pianists,
such as Yefim Bronfman, Emanuel Ax, Murray Perahia, and Andre Previn.
He has won
seven Grammy Awards, including two for Best Engineered Album, Classical, and one Latin Grammy Award.
- Peter Cook:
CBC recording engineer, Audio Engineering Society (AES) Toronto Section
executive and Vice-President elect (Eastern USA/Canada),
and credits on numerous Juno Award-winning CDs. He has re-mastered
early recordings of Gould for CBC Records, including the 1954 live
broadcast of the
Goldberg Variations.
-
Marc Wienert:
piano voicer, brought his specialized skills in precisely adjusting
piano acoustics. His task for this new recording is unique
in history: coordinating one piano’s timbre to another’s
from 50 years earlier, to invoke a gorgeous sound – yet
one Gould would recognize.
Click
here
to read an exclusive interview with Marc Wienert about his work on this project.
- Ron Giesbrecht:
National Piano Service Manager for Yamaha Canada Music, was
on hand to assure the Disklavier Pro mechanism worked flawlessly and silently
through 48 hours of non-stop use.
- Paul Gilchrist:
Canadian piano tuner, trained by
Verne Edquist,
who was Gould’s long-time piano tuner for his recordings.
Zenph was honored to have Edquist and tuner Ted Sambell on hand at the re-performance.
Yamaha Artist Services
supplied a nine-foot Disklavier Pro,
a superb concert grand outfitted with uniquely-engineered computer hardware.
After artfully assessing the character of the piano used in the
original 1955 recording, Marc Wienert accurately voiced the instrument.
This Zenph recording for Sony BMG Masterworks is an audiophile
dream come true. Sony BMG has released the album as a
"hybrid multichannel SACD" disc.
This type of compact disc plays perfectly on any
traditional CD player out today,
but sounds magnificent on the newer
Super Audio CD (SACD)
players. (Richard King, renowned for his surround-sound expertise,
used the latest
Sonoma workstation
for the DSD recording.)
We also recorded a
binaural
version of the playing.
In this technique,
two microphones are positioned in the ears of a
dummy head,
so that headphone playback sounds quite immersive. You can
hear what Gould heard as he sat at the piano bench, an amazing experience!
Both the binaural and the surround-sound versions are on this
hybrid SACD/CD. These multiple new recordings
show the ability to take a re-performance and hear
it from different perspectives.
Zenph sends deepest thanks to our friends and supporters, and especially to
Jim Hayward,
our invaluable champion in Toronto, for helping make this day a success.
Acclaim for
Glenn Gould in Re-performance:
"I cannot over-recommend this recording too highly"
The Audiophile Voice, October 2007
"Recording of the Month"
Stereophile, September 2007
"Music: 10, Sonics: 10"
The Absolute Sound, August 2007
“We were tremendously impressed.
As many times as I’ve heard the ’55 Goldbergs, it was like hearing
them for the first time.”
Malcolm Lester, past managing director of the
Glenn Gould Foundation.
