Our
Market
We offer
a service that's something like "OCR (optical character recognition)
for piano recordings." We take piano recordings and convert them
back into the keystrokes and pedal motions that could be used to encode
an identical live performance. This studio-quality, computer-controlled
re-performance can, in turn, be re-recorded in the latest high-definition
surround sound. For instance, old recordings from the 1920s through
1950s can be regenerated into new recordings, suitable for home theaters,
satellite radio, and Internet downloads.
There are
100 years of piano recordings, in the vaults of the recording companies
and in private collections. Many old recordings have been reissued,
but don't sound very good by modern standards. Many other great recordings
have never been released, because they were marred in some way that
made them substandard. Live performances are often unreleaseable because
of background noises or out-of-tune piano strings. They also may never
have been released because they were recorded off the radio or on cassette
recorders. Similarly, many wonderful studio recordings have never seen
release, due to instrument or equipment problems during the sessions.
We can bring these unheard treasures forward, to be re-recorded for
new release.
The recording
industry has embarked on the next set of consumer formats for high-definition
surround sound. The new formats include DVD-Audio or Video and Super
Audio CD (SACD). There are 35 million home surround systems in use today,
a number growing quickly along with high-definition TV. The chicken-and-egg
problem is bringing older audio material forward for re-release, which
is where we help.
Our customers
are record labels. We don't plan initially to offer a service to consumers
- they will purchase from the record labels pristine, up-to-date recordings
of performances by their favorite musicians. Record labels provide us
with their copyrighted source recording, and we return to them either
the live performance encoding or a new multi-channel high-def master
audio recording. Our pricing and contracts are comparable to that of
record producers: a combination of fixed cost and a portion of the revenue
stream of the release.
Our drive
is to help the copyright owners unlock the latent value in their back
catalogs and vaults. Our best back-of-the envelope estimate puts the
retail vault value of solo piano recordings (released and unreleased)
in the tens of billions of dollars.